If you wanted to set your life on fire, there wasn’t a better combination than Mabel Cunderdin, and Edward Willard’s limitless credit card.
A steady breeze blew through the deserted streets of Old Town lifting dust and debris into a ghoulish danse macabre. The blades of the old windmill whined their arc through the air, the rusted metal cogs and gears screeching in protest.
Sunita tucked a strand of hair behind her ear. If only she could tuck her scattered emotions so neatly away. This was the first time she’d been alone since Rajiv’s Commanding Officer had called. The C.O. had spoken quietly, calmly. She wondered what it was about death that forced a stillness on everything. Continue reading
Shanti wound her window down and inhaled the fumes. She loved these late-night gas station runs with Appa. It was their time together. No Amma worrying over money, or which Aunty had insulted her this week. No Anna, pretending to be older than his years, trying to impress Appa by discussing politics like a good son, or whether the stock market was a pig or a cow; some animal Shanti couldn’t remember. It was just her and Appa, an exclusive event.
Karti scrubbed with grim determination. It was tougher than she’d thought to get blood out of carpet, and she was sure someone in the building had already called the cops. Even with Marron doped up on tranqs, she’d had a hell of a time muffling his screams. Someone must have heard.
Crimson splatters line the walls, crime scene tape girds the door. Shattered glass, a single lily, and pristine white shagpile carpet grace the floors.
He lifts the needle, abruptly silencing the Shostakovitch piano concerto.
Tipping back his trilby, he scratches his head. Who still uses a record player?
Image credit: SouthernRebel/pixabay
The fans circle, humming sonorously, making no difference in the dense hot air. My aunt and I sit surrounded by cascades of colourful, gold-embroidered silk as the small birdlike dark skinned shop assistant claws more saris from the shelves, fanning them out to their full glory, allowing the light to catch the subtle changes in hue, the double colours, the intricate embroidery. Motherless since the age of three, Amayi, unmarried, unencumbered by children of her own, has always been my substitute mother.